Classic SLR Series
...cont. from earlier page..
Macro lenses are very flexible to photographer. Other than close-up photography, you can make use of them as a normal lens or a telephoto.
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135mm f/2.8: 0.3-1.5x (normal position); 510-220mm working distance (normal position); inf-0.9x (reversed); inf-200mm working distance (reversed); the further the lens is stopped down, the better the image quality (normal position); image quality is good a high magnifications but corner image quality degenerates at infinity (reversed)
135mm f/3.5: 0.3-1.5x (normal position); 530-240mm working distance (normal position); inf-0.8x (reversed); inf-250mm working distance (reversed); the further the lens is stopped down, the better the image quality (normal position); image quality is good a high magnifications but corner image quality degenerates at infinity (reversed)
135mm f/4 Bellows: inf-1x (normal position); inf-230mm working distance (normal position); the further the lens is stopped down, the better the image quality (normal position)
200mm f/4: 0.2-1x (normal position); 1260-550mm working distance (normal position); the further the lens is stopped down, the better the image quality (normal position)
300mm f/4.5: 0.1-0.8x (normal position); 2390-980mm working distance (normal position); the further the lens is stopped down, the better the image quality (normal position)
500f/5 Reflex: 0.3-0.4x (normal position); 2140-1650mm working distance (normal position)
43~86mm f/3.5 Zoom; 1.1-4x (normal position, 43mm); 30-0mm working distance (normal position, 43mm); 2.4-5.4x (reversed, 43mm); 55-46mm working distance (reversed, 43mm); 0.8-2.2x (normal position, 86mm); 160-65mm working distance (normal position, 86mm); 0.9-2.5x (reversed, 86mm, focussed to 1.2m); 134-68mm working distance (reversed, 86mm, focussed to 1.2m); the further the lens is stopped down, the better the image quality (all settings).
Credit: My friend John Walls, Florida, US for his image on the Zoom-Nikkor 43-86mm Zoom.
PB-3 Bellows Unit
The PB-3 is a nice compact bellows unit. It only engages to the camera in a landscape (horizontal) format, so you get to do fun tripod tricks when taking vertical shots.
The extension provided ranges between 33 and 142mm. There is a lock at the bottom of the front standard to hold a given extension, and a tripod bushing at the bottom of the (fixed) rear standard. Instead of the twin tracks of the Bellows 2, the PB-3 uses a single triangular-cross section rack. The bellows are octagonally shaped, instead of the squarely-shaped bellows found on all other Nikon units. For the collector in you, the PB-3 is darn-near impossible to find.
PB-4 Bellow Unit: Offering a extension range of 43mm to 185mm and both shifts and tilts on the front standard the PB-4 & PS-4 is an extremely useful addition to any Nikon system.
The Nikon PB-4 & PS-4 will work with all Nikon single lens reflex camera bodies and lenses. Its basic attractive features include: Extremely sturdy 4 rails construction; extension range of 43mm-185mm; Geared Rear Standard; Geared Front Standard and tripod mounting stage; Front standard swing of ± 25°; Front standard Shift of ± 10mm; will work with virtually all Nikon bodies and lenses.
There are many who mourn the passing of the PB-4, as it provides many useful features. One of them is a tripod foot mounted on its own geared twin tracks (which obviates the need for an additional focussing rail -- i.e. for a given magnification ratio setting, you can move the whole assembly back and forth on top of your tripod until everything's in focus), which the PB-4 shares with the PB-6. But what most people buy the PB-4 for (and why, used, it often costs more than the PB-6) is the ability to swing and shift the lens. The front standard shifts (horizontally) 10mm to either side and swings (horizontally, again) up to 25 degrees to the right or left. These may easily be converted into rise/fall and tilt by flopping the tripod head to the vertical.
Generally, the PB-4 is paired with the 105f/4 Bellows, which allows the swings and shifts to be used at minimum extension. Since most lenses' image circles will increase in area as they are focussed closer via extension, many other lenses will cover the film area adequately with the proper amount of extension. Since the total price of the PB-4 with the 105mm f/4.0 Bellows is fairly steep (the 105mm f/4.0 Bellows is a rare lens -- although it is inconvenient to use [preset diaphragm], and the optics of the 105mm f/4.0 Micro are the same, there aren't too many Bellows lenses floating around), many Nikoneers choose to use either the old Canon FD 35f/2.8 TS (adapted or on an old F-1 body) or one of the newer EF TS-E lenses on a cheap EOS body (having an automatic diaphragm, not to mention a choice of focal lengths [24, 45, 90] and tilting available, is a godsend).
Both the front and rear standards may be moved along the top twin tracks independently, although only the front standard has the shift and swing available. All of the movement knobs (front and rear standards, tripod foot) are on the left side of the bellows; the semi-triangular knobs on the right side all lock the appropriate movements.
The extension ranges from 43 to 185mm. The camera may be rotated from horizontal to vertical (and back again) via a button on the right side of the rear standard. You may use either the PS-4 or PS-5 on the PB-4.
The two levers on the front standard lock the (friction-set) shift and swing movements; the top lever (i.e. closer to the lens) locks the shift and the bottom lever locks the swing. To release these locks, slide them towards the left side of the bellows (i.e. the side with the movement knobs, not the movement locking knobs).
PB-5 Bellows Unit
The PB-5 is a PB-4 with three critical exceptions: The lower rails are removed, so the tripod mount(s) are fixed in place at the front and back of the rails. The front standard does not shift. The front standard does not swing. Again, the movement knobs are on the left side of the bellows unit, their corresponding locking knobs are on the right, and the front and rear standards may move independently. The extension range is also 43-185mm and it also accepts the PS-4 or PS-5.
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| Back | Main Index Page of Macro/Micro/Close-Ups Photography
System Accessories: Motor Drives / Prisms / Screens / Macro / Film Backs / Flash Other Accessories: DS-1 / DS-2 / DS-12 / eyepiece / DH-1 / cases / Cable releases / Miscellaneous
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The Eyes of Nikon:-
Nippon Kogaku KK Rangefinder RF-Nikkor lenses:- Main Index Page
Nikon Auto Focus Nikkor lenses:- Main Index Page
Nikon Manual Focus Nikkor lenses- Main Index Page
Fisheye-Nikkor Lenses - Circular | Full Frame | Ultrawides Lenses - 13mm15mm18mm20mm | Wideangle Lenses - 24mm28mm35mm |
Standard Lenses - 45mm 50mm 58mm | Telephoto Lenses - 85mm105mm135mm180mm & 200mm |
Super-Telephoto Lenses - 300mm 400mm 500mm 600mm 800mm 1200mm |
Special Application lenses:
Micro-Nikkor Lenses - 50mm~55mm -60mm 85mm -105mm 200mm Micro-Zoom 70-180mm
Perspective Control (PC) - 28mm 35mm PC-Micro 85mm
Dedicated Lenses for Nikon F3AF: AF 80mm f/2.8 | AF 200mm f/3.5 EDIF
Depth of Field Control (DC): 105mm 135mm
Medical Nikkor: 120mm 200mm
Reflex-Nikkor Lenses - 500mm 1000mm 2000mm
Others: Noct Nikkor | OP-Nikkor | UV Nikkor 55mm 105mm | Focusing Units | Bellows-Nikkor 105mm 135mm
Nikon Series E Lenses: 28mm35mm50mm100mm135mm | E-Series Zoom lenses: 36~72mm75~150mm70~210mm
MF Zoom-Nikkor Lenses: 25~50mm | 28~45mm | 28~50mm | 28~85mm | 35~70mm | 36~72mm E | 35~85mm | 35~105mm | 35~135mm |
35~200mm | 43~86mm | 50~135mm | 50~300mm | 70~210mm E | 75~150mm E | 80~200mm | 85~250mm |
100~300mm | 180~600mm | 200~400mm | 200~600mm | 360~1200mm | 1200~1700mm
Tele-Converters: TC-1 | TC-2 | TC-200 | TC-201 | TC-300 | TC-301 | TC-14 | TC-14A | TC-14B | TC-14C | TC-14E | TC-16 | TC-16A | TC-20E
Nikon F | Nikon F2 | Nikon F3 | Nikon F4 | Nikon F5 | Nikon F6 | Nikkormat / Nikomat |
Nikon FM | Nikon FE/ FA | Nikon EM/FG/FG20 | Nikon Digital SLRs | Nikon - Other models
MIR Supports for Photographic Community: Various Message Boards/Community Forums
Nikon F-series| Nikon F2-series| Nikon F3-series| Nikon F4-series| Nikon F5-series|Nikkormat/Nikomat-series
Nikon FM-series|Nikon FE-series|Nikon FA|Nikon Digital SLR series|Various Nikon Models|Nikkor Optic -shared
Others:- Free Trade Zone - Photography| Free Trade Zone - Business Community |Free To Zouk - Photographic Community
Apple's Mac Public Community Message Board | Windows based PC & Apple/Mac Public Community Trade Exchange Centre
Recommended links to understand more technical details related to the Nikkor F-mount and production Serial Number:
http://rick_oleson.tripod.com/index-153.html by: my friend, Rick Oleson
http://www.zi.ku.dk/personal/lhhansen/photo/fmount.htm by: Hansen, Lars Holst
About this photographic site.
HOME - Photography in Malaysia
Copyright © 2000. leofoo ®. MIR Web Development Team.
In memory of my friend Com. Augusto Staut, Brazil, 1971-2000.
Credit: Chuck Hester, US for his patience, encouragement and help to setup the various content in this site; Robert Johnson for some of his original images on the F2H-MD appeared in this site; my ex-staff, KiaSu for his superb 3-D logo appeared in this Nikon F2 site; Marc Vorgers from Holland who generously provide me with some of his images of F2AS; MCLau®, who has so much time with me to re-edit the content in this site and not to mention buying a Nikon Coolpix 990 just for this site. Keat Photo, Kuala Lumpur for providing their Nikon F2A to take some images for this site; again, Mr Edward Ngoh the great camera collector who provides us his collection of F2AS with MD-2; hawkeye.photographic.com for their images on the Speed Magny film backs; Sean Cranor for his image on Nikon F2 25th Anniversary Model; Ted Wengelaar®, Holland for his continuous flow of input on some of the early Nikon bodies; CYLeow ® , photo editor of the Star newspaper, Malaysia for some of his images used in this site. Ms Rissa Chan, Sales manager from Shriro Malaysia who has helped to provide some of the very useful input. HiuraShinsaku®, Nikomat ML, Japan for some of his images on various F2 models; my staff, Wati, Maisa, Mai and my nephew, EEWyn®, who volunteered and helping me did so many of the film scanning works. Contributing photographers or resellers: Jen Siow, Foo KokKin, Arthur Teng, Mark Fallander, John Ishii, Ed Hassel, YoonKi Kim, Jean-Louis, M.Dugentas (Dell Corner.com.), Mr "Arsenall" and a few images mailed in from surfers with no appropriate reference to their origin. Dedicated to KU Yeo, just to express our mutual regrets over the outcome of a recent corporate event. Made with a PowerMac, broadcast with a Redhat Linux powered server.