Modern
Classic SLRs Series : |
Cont...
Comprising a central split-image rangefinder spot, an annular microprism grid and a fine matte outfield, it provides fast and simple focusing, irrespective of whichever part of the screen you use. The split-image rangefinder is considered the most suitable for precise, pinpoint focusing; the microprism grid for rapid focusing in action or sports photography. Other varieties of optional screens are extensive in its selection and very functional in their own way to match for individual lens type, speed and specific user defined application. For an example, there was even a special TV format screen introduced by Nikon in later stages to please such specific requirement by professionals.
To enable you to precisely judge the exact extent of the depth of field at the f/stop that you are working at merely requires a slight pressure on the F2's depth-of-field preview button, which is located just where the right index finger can easily reach. Coaxial with the depth-of-field preview button is also mirror Lock-up lever mentioned earlier.Automatic Synch Adjustment for Flash Photography
The Nikon F2 retained the idea of using the F-type proprietary accessory shoe design which is located on the film rewind knob - which may post some inconvenience for film loading or film roll removal. Although there were not less than a dozen flash units available, very few units are truly dedicated in its nature. But since those days, "dedication" was less than what we expect of a modern SLR would deliver, the F2's dedicated function is only confined to flash ready light function in the viewfinder.
Besides the hotshoe, the camera is equipped with a PC terminal threaded to accept Nikon screw-in synch cords which eliminate accidental slippage.Nikon F2 retained the special non market standard accessory shoe used in the earlier Nikon F which was built around the film rewind knob (A). You will need to use a dedicated Nikon speedlight in order to have viewfinder flash ready light which was transmitting via the ready light contact (B) at the side of any of the Nikon F2 prism except three special finders: Waist Level (DW-1) 6X Magnifications (DW-2) and Speed Finder (DA-1). There is also a secondary PC terminal (C) in front of any of the F2 camera which provides a hot sync contact or used in multi-flashes setup.
Anyway, all interchangeable prisms (except special finders such as Waist Lever DW-1, 6X Magnifications DW-2 and Action finder DA-1), designed for Nikon F2 has a viewfinder contact at its side which was supposed to mate with the electrical contact at the flash mounting foot of any designed-for-F2 flash Speedlight such as SB-2, SB-7E etc. for ready light function.Electronic flash synchronizes at shutter speeds up to 1/80 second and FP class bulbs at almost any speed. M or MF class bulbs can also be used. Setting the shutter speed automatically adjusts the synch time-lag.
Can you still use all those Nikon-made flash units with your Nikon F2 ? Surprise, surprise... it will still work - but only via a functional flash coupler or workable sync cord. Over the months while developing the Nikon f3 site, I have compiled some information relating to Nikon flash units which ranges from fan fold flash BC-xx models to electronic TTL SB-21A/B Macro flash units which you may use it for cross references.Hinged, removable camera back - film loading/unloading & Multiple Options offering in various specialised film backs
The film back of the Nikon F2 was a big leap in its design as it provide a level of operational ease which was a big improvement over the traditional Nikon F cumbersome way of removing the entire film back in order for film changing. Modular construction of the F2 enables complete interchangeabitity which includes a faster, easier way to use hinged camera back, which will swings open to make film loading operation so simple, even with the motor drive attached. The spring loaded key on the bottom of the camera is designed,in such a way that accidental opening is impossible. The back may also be detached for mounting the special motor drive magazine backs.A six-slotted take-up spool simplifies insertion of the film leader. Precision-machined guide rails, large pressure plate, cartridge stabilizer and film roller help keep the film flat. The camera back has a memo holder for a film carton top or other reminder.
The extensiveness of the Nikon F2 system accessories are truly awesome. Take film back, for an instance, You have the widest selection in any 35mm system, from standard, auto rewind stop, 250 , 750 exposures and even two databack versions etc.In fact, Nikon has the largest selection of interchangeable film backs in any of the Nikon F-series SLR model. The film back of any Nikon F2 camera body can be removed quickly for mounting the MF-1: 250 Exposures Bulk Film Magazine Back or MF-2: 750 Exposures Bulk Film Magazine Back for motorized photography or to fit a 4" x 5" Speed Magny large-format film back attachment which operates in standard holders or Polaroid Land 3-1/4" x 4-1/4") film packets. Other interesting film back includes MF-3, a 36 Exposures Rewind auto film-Stop Back which will ensure the film leader remains out for easy film processing later. Further, Nikon also has two special modified F2 camera models which accepts film back with data imprinting capability: MF-10: A 36 exposures Data Back version for a matched F2 body, an MD-2/MB-1 motor drive, and an AH-1 hand strap. The combined setup is known as the F2 Data/36 & another model, MF-11 is a 250 exposures Data Back version, comprised of a F2 body, a MD-2/MB-1 motor drive, and an AH-1 hand strap. The combined setup is known as the F2 Data/250.
<<<< --- Wayang Kulit, (Shadow movie) Malaysia... Copyright © images 2000. Jen Siow® Hosted by: Malaysian Internet ResourcesNikon's ingenious modular design insures that the Nikon system keeps on growing continously which, other than film backs, includes the prism section as well.
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| History & Background | Semi-FAQ | Various Features and Functions - 6 Parts |
System Accessories: Motor Drives / Prisms / Screens / Macro / Film Backs / Flash Other Accessories: DS-1 / DS-2 / DS-12 / eyepiece / DH-1 / cases / Cable releases / Miscellaneous
| Message Board | for your favourite Nikon F2 Series SLR model(s)
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| Back | Main Index Page of Pictorial History of Nikon SLRs
The Eyes of Nikon:-
Nippon Kogaku KK Rangefinder RF-Nikkor lenses:- Main Index Page
Nikon Auto Focus Nikkor lenses:- Main Index Page
Nikon Manual Focus Nikkor lenses- Main Index Page
Fisheye-Nikkor Lenses - Circular | Full Frame | Ultrawides Lenses - 13mm15mm18mm20mm | Wideangle Lenses - 24mm28mm35mm |
Standard Lenses - 45mm 50mm 58mm | Telephoto Lenses - 85mm105mm135mm180mm & 200mm |
Super-Telephoto Lenses - 300mm 400mm 500mm 600mm 800mm 1200mm |
Special Application lenses:
Micro-Nikkor Lenses - 50mm~55mm -60mm 85mm -105mm 200mm Micro-Zoom 70-180mm
Perspective Control (PC) - 28mm 35mm PC-Micro 85mm
Dedicated Lenses for Nikon F3AF: AF 80mm f/2.8 | AF 200mm f/3.5 EDIF
Depth of Field Control (DC): 105mm 135mm
Medical Nikkor: 120mm 200mm
Reflex-Nikkor Lenses - 500mm 1000mm 2000mm
Others: Noct Nikkor | OP-Nikkor | UV Nikkor 55mm 105mm | Focusing Units | Bellows-Nikkor 105mm 135mm
Nikon Series E Lenses: 28mm35mm50mm100mm135mm | E-Series Zoom lenses: 36~72mm75~150mm70~210mm
MF Zoom-Nikkor Lenses: 25~50mm | 28~45mm | 28~50mm | 28~85mm | 35~70mm | 36~72mm E | 35~85mm | 35~105mm | 35~135mm |
35~200mm | 43~86mm | 50~135mm | 50~300mm | 70~210mm E | 75~150mm E | 80~200mm | 85~250mm |
100~300mm | 180~600mm | 200~400mm | 200~600mm | 360~1200mm | 1200~1700mm
Tele-Converters: TC-1 | TC-2 | TC-200 | TC-201 | TC-300 | TC-301 | TC-14 | TC-14A | TC-14B | TC-14C | TC-14E | TC-16 | TC-16A | TC-20E
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Nikon F | Nikon F2 | Nikon F3 | Nikon F4 | Nikon F5 | Nikon F6 | Nikkormat / Nikomat |
Nikon FM | Nikon FE/ FA | Nikon EM/FG/FG20 | Nikon Digital SLRs | Nikon - Other modelsMIR Supports for Photographic Community: Various Message Boards/Community Forums
Nikon F-series| Nikon F2-series| Nikon F3-series| Nikon F4-series| Nikon F5-series|Nikkormat/Nikomat-series
Nikon FM-series|Nikon FE-series|Nikon FA|Nikon Digital SLR series|Various Nikon Models|Nikkor Optic -shared
Others:- Free Trade Zone - Photography| Free Trade Zone - Business Community |Free To Zouk - Photographic Community
Apple's Mac Public Community Message Board | Windows based PC & Apple/Mac Public Community Trade Exchange CentreRecommended links to understand more technical details related to the Nikkor F-mount and production Serial Number:
http://rick_oleson.tripod.com/index-153.html by: my friend, Rick Oleson
http://www.zi.ku.dk/personal/lhhansen/photo/fmount.htm by: Hansen, Lars Holst
http://www.mir.com.my/rb/photography/hardwares/nikonfmount/lens2.htm
http://www.photosynthesis.co.nz/nikon/serialno.htmlAbout this photographic site.
HOME - Photography in MalaysiaCopyright © 2000. leofoo ®. MIR Web Development Team.
In memory of my friend Com. Augusto Staut, Brazil, 1971-2000.
Credit: Chuck Hester, US for his patience, encouragement and help to setup the various content in this site; Robert Johnson for some of his original images on the F2H-MD appeared in this site; my ex-staff, KiaSu for his superb 3-D logo appeared in this Nikon F2 site; Marc Vorgers from Holland who generously provide me with some of his images of F2AS; MCLau®, who has so much time with me to re-edit the content in this site and not to mention buying a Nikon Coolpix 990 just for this site. Keat Photo, Kuala Lumpur for providing their Nikon F2A to take some images for this site; again, Mr Edward Ngoh the great camera collector who provides us his collection of F2AS with MD-2; hawkeye.photographic.com for their images on the Speed Magny film backs; Sean Cranor for his image on Nikon F2 25th Anniversary Model; Ted Wengelaar®, Holland for his continuous flow of input on some of the early Nikon bodies; CYLeow ® , photo editor of the Star newspaper, Malaysia for some of his images used in this site. Ms Rissa Chan, Sales manager from Shriro Malaysia who has helped to provide some of the very useful input. HiuraShinsaku®, Nikomat ML, Japan for some of his images on various F2 models; my staff, Wati, Maisa, Mai and my nephew, EEWyn®, who volunteered and helping me did so many of the film scanning works. Contributing photographers or resellers: Jen Siow, Foo KokKin, Arthur Teng, Mark Fallander, John Ishii, Ed Hassel, YoonKi Kim, Jean-Louis, M.Dugentas (Dell Corner.com.), Mr "Arsenall" and a few images mailed in from surfers with no appropriate reference to their origin. Dedicated to KU Yeo, just to express our mutual regrets over the outcome of a recent corporate event. Made with a PowerMac, broadcast with a Redhat Linux powered server.
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